Seattle critics praise The Temperamentals.
Continue reading “The Temperamentals Review Round-up”
The Temperamentals Production Photo Gallery
Production stills from The Temperamentals taken by Michael Brunk.
“The Hen Night Epiphany” Production Gallery
Photos by Michael Brunk, NW Lens
The Temperamentals – Sneak Peek
Rehearsal stills from The Temperamentals taken by Michael Brunk and Roy Arauz.
Cast and Crew of “The Temperamentals”
Daniel Wood (Harry Hay)
Daniel is so excited to be debuting with Arouet. As an ardent supporter of and advocate for LGBTQ rights he is especially delighted to be debuting in this play, a play that touches him personally and has sparked a continued interest in the history and development of the gay civil rights movement. Some of Daniel’s favorite roles around town include Benedick in Much Ado About Nothing (SecondStory Rep), the title role in The American Pilot (Theater Schmeater), Stephano in The Tempest (GreenStage), John Alex in the world premier of Of Dice and Men (Critical Threat Theater @ PAX) and multiple roles in the Seattle Times Footlight Award winning production of Edmond (Balagan Theatre). You may have also seen him perform with Book-It Rep, Seattle Public Theater, Wooden O, Annex Theatre, Centerstage, Sound Theatre Company, Harlequin Productions, the Schoolyard and the Seattle Opera. Much love to his beautiful wife and strongest supporter Julia Evanovich. He would like to take this time to express his extreme pleasure that his gay brothers and sisters can now enjoy the same joys of marriage that he does. Love and equality for all!
Jaryl Draper (Rudi Gernreich)
This is Jaryl’s first show with Arouet. He is thrilled to take part in this production of The Temperamentals, and feels very lucky to join this incredible cast. Around town he has worked with such theaters as Book-It Repertory, Stone Soup Theatre, Greenstage, Harlequin Productions, Women Seeking…, Pacific Play Company, Seattle Playwrights Collective, Woodinville Repertory, UPAC, and Eclectic Theatre Company. He received his B.A. in perfomance at Central Washington University in 2009 and has hopes for Graduate school in the near future. Some of his favorite roles include Bill in Sure Thing, Sherwin in The Lifeboat is Sinking, Tranio in The Taming of the Shrew, and Uncle Peck in Stone Soup Thatre’s production of How I Learned to Drive, for which he received a 2011 Gypsy Rose Lee Award for Excellence in performance by a lead actor.
Greg Bee (Chuck Rowland and others)
Greg is a writer, actor and nationally recognized performance poet who lives in Seattle. He has written and performed poetry at Poetry Slams across North America for more than 10 years, and was a contributing writer on Arouet’s 2012 production of Lawfully Wedded in Seattle.
Will Halsey (Bob Hull and others)
Will is thrilled to make his Arouet debut in The Temperamentals with this wonderful cast and crew. Will grew up in Missouri, way too shy and closeted to perform. During the past 10 years in Seattle, he’s been trying to make up for lost time with local companies, including The Village Theatre, Puget Sound Opera, Book-It Repertory, Driftwood Players, the Seattle Men’s Chorus, and the former Northwest Actor’s Studio. Favorite roles include Joshua in Corpus Christi, Mitch in Saucy Jack and the Space Vixens, Brian in Party, and Toby (the mute), in Gian Carlo Menotti’s opera, The Medium. Will’s formal training is in music – trumpet performance and conducting. Much gratitude to Roy for this opportunity, to the men portrayed here for their world-shifting strength and conviction, and Charlie – for your love and acceptance of me in all my temperamental-ness.
Justin Ison (Dale Jennings and others)
Justin is an artist who has worked in illustration, animation, comic books, graphic design, and of course, theater, as well as less-successful forays into sculpture, music, and stand-up comedy. You may have seen Justin on stage in 2012 as Judge Littlefield in Ghost Light Theatricals’ production of The Last Days of Judas Iscariot, or playing guitar in the house band for Scapin, or as straight-laced Detective Ed Shepard in LAPDSMU, produced for the Seattle Fringe Festival. In January 2013, Justin will be making his directorial debut with The Rest Is Silence (which he co-wrote with Stephen Scheide), an absurdist comedy exploring the relationship between Hamlet, Horatio, and reality television. He also has a website, which you can see here.
Roy Arauz (Director)
Roy is very excited to bring The Temperamentals for the first time to the Northwest stage, and for the chance to work with his first all-male cast. With a background dance, choreography, and stage management, he now directs around the Puget Sound and is Artistic Director at Arouet. Locally he has worked in various capacities at ArtsWest, The Driftwood Players, Redwood Theatre, SecondStory Repertory Snoqualmie Falls Forest Theatre, Studio East, and Valley Community Players. Recent directing credits: The Hen Night Epiphany (a The Driftwood Players’ TIP/Arouet collaboration), The Music Man (The Driftwood Players), and Anna in The Tropics (Latino Theatre Projects.)
Mariajose Barrera (Production Manager)
I am a Guatemalan born and raised, have lived permanently in the U.S.A. for 12 years, a business manager and owner who came into theater by chance, when given the opportunity to write and perform a short monologue for the 2011 Latino Community fund.
John Epperson (Sound Design)
John is a recording artist. His work appears on many albums, compilations and DVDs as well as television, film and video games. When not making weird noises with synthesizers, Epperson designs sound for theatre. He has previously worked with Arouet, ArtsWest, Driftwood Players, Latino Theatre Projects, Redwood Theatre and Theatre 9/12. John has a website.
Keith A. Gehrig (Lighting Design)
Keith is a 20 year veteran of theater in the Puget Sound area. He has designed lighting for Evergreen Theatre, Civic Light Opera (now Seattle Musical Theatre), Driftwood Players, Tacoma Little Theater, Northwest Savoyards, Seattle Comic Opera, and Gaydar Productions. Also a scenic designer, master electrician, actor and playwright, his day job is running the front office for The Driftwood Players in Edmonds. When not in a theater, he spends his time with his two “guys”, Chazz and Dave.
Dani Dodge (Stage Manager)
Dani has been in Seattle since October and is loving it. She last Stage Managed Ghost Light theatricals Hamlet, and will be working on Props for Theater Schmeater’s Game Show. She is a legal assistant by day, Theatre enthusiast by night, and an artist on the weekends.
Kim Rosin (Set Design)
Kim’s path to set design has meandered through several creative jobs in the architecture and interior design fields, with a start in her working life at Sotheby’s in Johannesburg and London, all of which provided valuable influences to her work. She has also designed her own fabrics and line of products, manufactured locally under the label: Kimthings. She has a degree in Fine Art and Art History from the University of Witwatersrand in Johannesburg, South Africa and studied Textile Design at Central St Martin’s College of Art in London.
In 2012 she designed and painted the sets for Timepieces, The House of Bernarda Alba and Woman in the Wall. She has also designed sets for productions of Snakes and Ladders, The Torch Bearers, Once in a Lifetime and Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean.
Kristina Hestenes Stimson (Costuming)
Kristina recently provided Costuming for Arouet’s production of The House of Bernada Alba, and Set Design, Costuming, and Props for the play Frankie and Johnny. In film, she did Set Decoration and Production Design for Sister Billie’s Sinner Hour, which won best costuming in the 2010 48-Hour Film Festival; and she was the Production Designer for the film short Three Mothers. She is a licensed architect and studied fine art in France at the L’Ecole Des Beaux-Arts.
We did it again! Thank you!
Thank you to everyone that contributed to our Kickstarter campaign. Your support makes it possible for Arouet to present this great piece of theatre for the first time in the Great Pacific Northwest.
Visit the links below – learn more about our supporters!
This list is presented in chronological order:
Meditation Music
Matthew and Daniel Cords
Michael Brunk of NWLens
Kären Engelbrecht
Eric Olson
Arian and Carissa Smit
Patricia Arauz
Josephine Lowry
The Bitter Single Guy’s Relationship Advice
National Payday
Morgan Ludlow
Danielle Villegas
Mary Springer
E. Durso
Anonymous
Machelle Allman
Charles Bryan Colson
Corey D. McDaniel
Matthew and Jennifer York
Gene Bahng
Courtney & Matt Hough
Amanda Falcone
Anonymous
Brian D. Robick
Luis Tobar
Patrick Hogan
Maggie & Jon Adams
Deborah L. Alexander
Anonymous
Tom Falcone
Gay City Health Project
Redwood Theatre
Kim + Richard Rosin
Theatre9/12
Mr. Keith McGregor
John and Claire Koenig
Alyssa Keene
Anonymous
Russ Welti
Lisa at Haven Salon, a fabulous Stylist in Ballard
Cole Hornaday
Anonymous
Alfred Zem Hill
Deborah L. Innes
Bruce Erickson
Rob Bergquist of www.ghostlighttheatricals.org
Kathy Weir
Samara Lerman
Stephanie
Tiffany Mak
Joan Sandler and Rita Shaw
Gabriel Sedgemore
Anonymous
Laura Smith
Mr. Fernando Luna latinotheatreprojects.org
Lisa Zelenetz
Sarah Milici
Carolyn Conn
Stephen Burnside, Belfast, Northern Ireland.
Sonya Reasor
Mariajose Barrera
Tim Sauke
Anonymous
Anonymous
Thomas Christopher Maxfield
Caitlin Gilman
Glenn Bafia
Anthony Hesseltine
L.T.
Lisa Larsen
Cindy Apple
Pocket Protector Productions
Christine Pomeroy
Anonymous
Press Music
Black Cape Marketing
Anna Springer
Sarah Anne Simmons
Anonymous
Anonymous
Ellen Dessler
Anonymous
Anonymous
Ann G
Steven Contreras
Scott Bloom
Tony Barrera
Mike and Lisa Finch
And thanks to those of you who missed the deadline and still wanted to contribute:
Brent Amaker
Kevin Teeley and Greg Stair
Education Internship
Education and Outreach Intern at an Up-And-Coming Dynamic Theatre Company With a Mission in Social Justice
Are you passionate about arts and literature? Are you equally passionate about social issues? Have you considered a career in teaching? Do you often draw connections between social inequalities in literature and those in current society? Arouet is a Seattle based theatre company that produces works that speak of civil rights, tolerance, freedom of and from religion, social justice, and the celebration of differences.
Arouet is a new production company with growing exposure. This spring we will produce the North American premiere of Hen Night Epiphany and the Northwest premiere of The Temperamentals. As an education and outreach intern you will get an opportunity to create meaningful lesson plans that can be shared with our student audiences. Additionally, interns will be given the opportunity to assist with post-show discussions with the audience.
The education and outreach intern’s role is a vital one, with a mission to inspire our audience to ask a question that they have not yet thought to ask.
What You Will Learn:
- How to create meaningful lesson plans that demonstrate educational connections between Arouet’s productions and Washington State Learning Standards
- How to conduct effective and responsive post-show audience discussions
- Much more – you will be regarded as a valued member of the company
What We Require:
- Have completed English 101 or be enrolled
- Organized and self-starter
- Open minded and accepting of all people
This position has flexible hours. Hen Night Epiphany runs March 21 – April 6 with performances in Edmonds and Seattle. The Temperamentals runs May 9 – 25. Availability for the performances are not required but strongly encouraged. You will be expected to contribute a minimum of 15 hours per quarter.
This is an unpaid internship.
To apply please submit your resume and cover letter to Daniel Cords, the Director of Education and Outreach, by emailing Daniel@Arouet.us
“Our mission is to present works that speak of civil rights, tolerance, freedom of and from religion, social justice, and the celebration of our differences.”
-Arouet’s mission statement
Cast and Crew of “The Hen Night Epiphany”
Colleen Carey (Una)
Colleen has been working as a professional actress in the Seattle area for thirty-three years. Favorite recent theatre roles include: Carlotta in The Cherry Orchard, Wife in Edmond, The Fraus in All Through the Night (Gregory Award Nominee) and Angustias in The House of Bernarda Alba. Look for Colleen as Dorothy O’Donnell in the feature film Different Drummers (Winner: Best Screenplay, WorldFest Houston International Film Festival). Release date: April 2013. Thanks to my Dad, Mom, David and Aidan. Also, special thanks to Charles Waxberg for re-forging and transforming my vision. “We don’t live a play. We live a scene at a time.” – Stella Adler
Laura Crouch (Anta)
Since moving from the midwest where, aside from acting, she worked with the Kansas City Philharmonic and NCAA, Laura has been fortunate to perform on many stages throughout Seattle. These include Seattle Shakespeare Co., ACT, The Bathhouse, The Market Theatre, Driftwood, and Phoenix. She is delighted to be able to add Stone Soup to the list. Some favorite shows include a rock and roll version of A Midsummer Night’s Dream, Diary of Anne Frank and Auntie Mame. Laura also works extensively in radio and provides voiceovers. She performed a one-woman USO show at The Museum of Flight and joyously “became” Mae West for the opening of the Radio Museum in Bellingham and for Lufthansa Airlines. What a thrill to be able to work with such a wonderfully talented director and group of women. She’s not in Kansas anymore!
Ellen Dessler (Triona)
Ellen is thrilled to be working with her good friend Roy in her inaugural production with both Arouet and Driftwood. She was last seen in Seattle Musical Theatre’s Legally Blonde as Paulette and Theatre 9/12’s Suddenly Last Summer as Sister Felicity. She has done many shows with ReAct (Izzy in Rabbit Hole, Interplanet Janet and others in School House Rock, Darla in A Letter to Three Wives, etc.), Second Story Rep (La La in Last Night of Ballyhoo, Chester in Bunnicula, Audrey II in Little Shop of Horrors, etc), Village Theatre (Evita, South Pacific, Pirates of Penzance, etc.), and many others! She is also proud of her work with Effective Arts, Child Abuse Training with CJTC, and Living Voices. And you can find a few credits on IMDB.
Frances Hearn (Olive)
Frances is delighted to work with Roy again and this wonderful cast. Frances has an MFA from California Institute of the Arts in Drama and a Master’s in Education Teaching English to Speakers of Other Languages from Seattle University. She has acted in several shows throughout Seattle and Los Angeles. She was last seen in The House of Bernarda Alba, directed by Charles Waxberg and produced by Roy Arauz, playing the role of Maria Josefa. She currently teaches at Seattle Central Community College.
Kelly Johnson (Kelly)
This is Kelly’s 2nd show with Roy Arauz, where she was seen as Hera in Thunderbolts and Dunderheads. She’s a local kid who can be found doing theatre in and around the Seattle area. Kelly would like to thank all her friends and family for their love and support. A big thank you goes to Vandyman who is always ready with a kind word, a shoulder to lean on, a warm hug or a gentle kick in the pants when needed. I love you big!
Roy Arauz (Director)
Roy gets to play with some of his favorite actresses in The Hen Night Epiphany, and he couldn’t be happier. It’s also very exciting to collaborate for the first time with The Driftwood Player’s Theatre of Intriguing Possiblities program. With a background dance, choreography, and stage management, he now directs around the Puget Sound and is Artistic Director at Arouet. Locally he has worked in various capacities at ArtsWest, The Driftwood Players, Redwood Theatre, SecondStory Repertory Snoqualmie Falls Forest Theatre, Studio East, and Valley Community Players. Recent directing credits: Lawfully Wedded (Arouet), The Music Man (The Driftwood Players), and Anna in The Tropics (Latino Theatre Projects.)
John Epperson (Sound Design)
John is a recording artist. His work appears on many albums, compilations and DVDs as well as television, film and video games. When not making weird noises with synthesizers, Epperson designs sound for theatre. He has previously worked with Arouet, ArtsWest, Driftwood Players, Latino Theatre Projects, Redwood Theatre and Theatre 9/12. John has a website.
Keith A. Gehrig (Co-Producer)
Keith is a 20 year veteran of theater in the Puget Sound area. He has designed lighting for Evergreen Theatre, Civic Light Opera (now Seattle Musical Theatre), Driftwood Players, Tacoma Little Theater, Northwest Savoyards, Seattle Comic Opera, and Gaydar Productions. Also a scenic designer, master electrician, actor and playwright, his day job is running the front office for The Driftwood Players in Edmonds. When not in a theater, he spends his time with his two “guys”, Chazz and Dave.
Roger Huston (Technical Director)
Roger Huston is relatively new to the Seattle area and the theater. He moved here from the DC area, where he was merely a patron, in 2010. He’d been a stage techie in school – many, many years ago. He began volunteering with Driftwood shortly after settling into his Edmonds home. He’s been involved in set design and construction, lighting design, running crew (runs a mean follow spot), and production management. He’s served as the Technical Director for TIPs, and its predecessor Alternative Stage Productions, since the 2011-2012 season. Roger can also be found at Theater Schmeater in Seattle, where he is Managing Director.
Renee Cyr Johnson (Stage Manager)
Renee is thrilled to be stage managing again with Driftwood Players and to be working with Arouet for the first time. She recently staged managed Music Man, Murder on the Nile, and Harvey here at Driftwood. She has also worked at Stone Soup, Greenstage, and Centerstage. She would like to thank all of you for supporting local theatre.
Chrystian Shepperd (Lighting Designer)
A graduate of UW’s drama department, Chrystian loves playing with lights and has done so at various theatres in Seattle including Annex, Theater Schmeater & Live Girls!, where he also directed. Most recently he was the lighting designer for Driftwood’s TIPS production, The 39 Steps. This is his first experience designing a show for 2 totally different spaces and he’s excited about the challenge of it. Jen- you are my everything, thank you for the constant encouragement and support, you’re a MoonMan! Immer.
Carissa Meisner Smit (Executive Producer)
After initially training and working in Southern California, Carissa moved with her family to the Seattle area in 2002. Since then she has worked with many different theaters wearing many different hats, including Madrona Children’s Theater and Snoqualmie Falls Forest Theater (choreographer); Arouet, Second Story Repertory, The Phoenix Theatre, Adagio Players, and Seattle Musical Theater (performer), as well as The Driftwood Players where she has performed, choreographed, directed, and produced. She assumed leadership of the struggling Alternative Stages program in 2009 and is pleased to have guided it through a major renovation as The Theatre of Intriguing Possibilities (TIPs). She is pleased to collaborate with Arouet on this special production.
Deanna Smit (Costumer)
Deanna Smit is so excited to be working on this project! She has an acting background as well as several costuming credits under her belt — most recently including The 39 Steps and The Third Annual Festival of Shorts, both at the Edmonds Driftwood Players with The Theatre of Intriguing Possibilities. Thanks to Carissa!
Jen Cabarrus (Properties)
Jennifer is super excited to be wrangling props for the Driftwood Players and Arouet. Some of the past theatres she has worked with in the Seattle area include Annex, Open Circle and Live Girls! With her day job in the scientific community she is always rejuvenated at the magic of seeing a show come together. CS-thank you for always putting me back on the horse. you’re a moonman!–immer.
An Actor’s Voice
It’s interesting, I have always believed in marriage equality but doing this piece has opened my eyes even wider. It’s the compilation of all the different reasons for allowing marriage for everyone, put into a 70 minute piece and laid out right in front of you that just makes a crystal clear picture. I think everyone is going to benefit that watches this show, it is going to educate with a mixture of hilarity and gut wrenching moments.
The piece that really grabs at my heartstrings for marriage equality is Sign Here. It is also going to be the most challenging piece for me to perform because of how honest, real, and unfair the scenario is that we’re delving into over rights of a straight couple vs. rights (as of now) of a gay/lesbian couple. I want to be able to portray the inequality and the injustice and I want more than anything to make people see the characters’ and realize this isn’t just this character going through this but this is really happening and needs to change, we are all humans with feelings and should be treated as such!
Overall, I want people to walk away from the show and go to a ballot and vote for human equality. Regardless, if they support gays and lesbians this is a bigger picture; I want to show we as humans are evolving and understand empathy and kindness and peace for everyone regardless of race, sexuality or beliefs—the passing of Ref. 74 is a part of that evolution towards complete humanity.
Lawfully Wedded Photo Gallery
Rehearsal stills from Lawfully Wedded taken by Michael Brunk and Roy Arauz.